Convergent Friends as New Jazz Traditionalist

April 13, 2018

Yes­ter­day I men­tioned an inter­est­ing con­ver­sa­tion with Chad Stephen­son years ago about his theory/metaphor that Con­ver­gent Friends were like New Jazz tra­di­tion­al­ists. His piece had only been pub­lished in the Spir­it Ris­ing anthol­o­gy but Chad saw my post and has gra­cious­ly put it up on his blog!

Through­out Quak­er faith, diver­gence from its roots has brought new­er, mod­ern audi­ences to Quak­ers and pro­gressed with new path­ways while aban­don­ing the shared past com­mon­al­i­ties. Yet as a splin­tered tra­di­tion, Quak­ers have begun to suf­fer each oth­er as dis­tant rel­a­tives do when din­ing dur­ing the hol­i­days; a fail­ing coor­di­na­tion of growth which has led instead to dis­uni­ty and a lack of under­stand­ing and respect for com­mon roots essen­tial to cre­at­ing a mutu­al­ly enhanc­ing ecosys­tem of faith ground­ed in the Light.

Con­ver­gent Friends as New Jazz Traditionalists

Quaker Jazz

April 12, 2018

This week’s Quak­er­S­peak inter­views musi­cian Colton Weath­er­ston. I love the way he relates the com­mu­ni­ca­tion and col­lab­o­ra­tion of jazz musi­cians to Quak­er worship:

Espe­cial­ly artists and musi­cians, we often don’t have the same point of view or even the same back­ground. Each of us will bring a lot of bag­gage into the meet­ing of the musi­cians and we have to build trust with each oth­er and peo­ple need to feel free to express their ideas as a soloist with­out feel­ing told by the leader how exact­ly to play — we have to work it out as an ensem­ble. And I think that’s very true with meet­ings also.

Those with long mem­o­ries might remem­ber that I inter­viewed Chad Stephen­son after he made a com­par­i­son between new jazz tra­di­tion­al­ists and Con­ver­gent Friends at the 2009 Ben Lomond con­fer­ence (I believe he wrote an expand­ed ver­sion for the Spir­it Ris­ing Quak­er anthol­o­gy but I can’t find a link).