It’s hard not to make the connection.

In Iraq, U.S. sol­diers are blar­ing the sound­tract to ‘Apoc­a­lypse Now’ to psych them­selves up to war:

“With Wag­n­er’s ‘Ride of the Valkyries’ still ring­ing in their ears and the clat­ter of heli­copters over­head, sol­diers rammed vehi­cles into met­al gates and hun­dreds of troops raid­ed hous­es in the west­ern city of Ramadi”

Mean­while in my home­town of Philadel­phia four teenagers lis­tened to the Bea­t­les’ ‘Hel­ter Skel­ter’ over forty times before attack­ing and beat­ing to death one of their friends.

Hor­rif­ic as both sto­ries are, what strikes me is the choice of music. ‘Hel­ter Skel­ter’ and most of the music on ‘Apoc­alpse Now’ were writ­ten in the late 1960 and ear­ly 70s (the movie itself came out in 1979). Why are today’s teenagers pick­ing the music of their par­ents to plan their attacks? Can’t you kill to Radio­head or Linkin Park? Could­n’t the Philly kids have shown some home­town pride and picked Pink? Why the Oldies Music? Seri­ous­ly, there have been some topsy-turvy gen­er­a­tional sur­pris­es in the sup­port and oppo­si­tion to the Iraq and Afghanistan wars. Is there some sort of strange fetish for all things 70s going on here?

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